Pop Art to Brit Art

A great exhibition at the Djanogly Gallery, Lakeside


This exhibition is undoubtedly the highlight of Lakeside’s winter season and is the first outing of a terrific collection of contemporary art:

The guiding principle behind the David Ross collection is of art produced during his own lifetime, and it is particularly rich in paintings by artists associated with the Pop Art movement of the 1960s including David Hockney, Peter Blake, Richard Hamilton and Patrick Caulfield. The legacy of these artists and their engagement with commercial and popular forms of visual culture is also apparent in more recent works by Young British Artists – Damien Hirst, Marc Quinn and Gavin Turk.

Other painters who came to prominence in the 60s but who worked in a more expressionist manner, such as Frank Auerbach and Leon Kossoff, are also richly represented.

This exhibition also includes: Derek Boshier, Gilbert & George, Howard Hodgkin, Allen Jones, R.B. Kitaj, Michael Craig-Martin, Bridget Riley, Mario Testino and Joe Tilson.

There really is some fantastic art here, with my favourites including the Riley, Quinn and Caulfield pictures and the Testino photos.

Further details of the (free) exhibition can be found on the Lakeside website and it is on until the 9th of February. Go and see it if you are in the Nottingham area.

Lowry at Lakeside

Lowry’s paintings and drawings

A slightly different topic today. But well worth showcasing I think. The University of Nottingham is hosting a terrific new exhibition of Lowry’s paintings and drawings:

This exhibition focuses on Lowry’s work from the beginning of the 20s to the immediate post-war period, from his early forays into the industrial scene to the point at which he began to achieve a degree of commercial success and his interests shifted into the territory of figure painting.

In the 1930s, personal crisis brought about by the death of his parents, and the artist’s growing sense of isolation, produced a kind of artistic derailment resulting in an extraordinary body of work whose subject matter chimes with the national zeitgeist of pre-war angst: his views of empty industrial wastelands, derelict buildings and a disturbing series of staring portrait heads will all come as a revelation to those who only know Lowry as the poet of the Lancashire mills.

Neil Walker, exhibition curator, said: “I hope that people who might come to the exhibition with a preconceived idea of Lowry based solely on his industrial subjects will leave with a much fuller appreciation of the breadth and complexity of his life’s work.”

Hugely impressive and well worth seeing. The landscapes and portraits are particularly striking. It’s on at the Djanogly Gallery, Lakeside Arts Centre at the University of Nottingham until 5 February 2012.